In a world without tape, the audio interface has become the gateway to preserving sound for many people. Having your inputs, outputs, and conversion in one small box provides a cost effective alternative to discrete units. However, with such a saturated market, finding the right audio interface is now harder than ever!
Most people consider the number of inputs and outputs to be one of the biggest criteria for choosing an audio interface. The problem with this assumption is that not all ins and outs are created equal. Further, different situations call for different connections, and in different numbers. Advertising a 16x12 interface does not really say anything about the connections themselves!
XLR Ins and Outs
When most people think of audio interface inputs they think XLR. Why? Because this is what we plug our microphones into. A lot of units also use what are known as combi-jacks. These special XLR inputs actually have a 1/4 inch jack in the middle of the XLR. This allows you to easily connect guitars, keyboards, or other line level devices straight into the audio interface.
An XLR out is sometimes included as well. These are typically used for connecting to balanced studio monitors, however some are AES/EBU digital connections. Make sure you know which it is!
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